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The main architectural and urbanistic impression regarding the project originally defined by the model and only then elaborated in ablueprint is that it is a densely built-up apartment-commercial complexwith individual high-rise buildings 15—25, and morewhat in the globalization architectural practice has become a code generated for opposing the local heritage.

Transporta- tion infrastructure retained the pri- macy on the right bank and continued to hinder direct contact of the citizens with the Sava River, while on the left bank gradually grew a Le-Corbusier-like modern city.

I was honored to see original documents at the Academy of Fine Arts, St Petersburg faculty of civil engineers and on various museum collections.

Aleksandar Kadijevic

This can be easily checked by comparing the cross sections perpendicular to the Sava River simultaneously in old and new city blocks, starting from the river to the higher levels of the city in the area of Slavija Square. Reka i gradski prostori u Srbiji. Regarding the scheme, the structure of the initial project has been gradually changed, first by adding a meters high cucumber-liketower on the river bank and a less spacious shopping mall.

In this sense, it would be inappro- Fig. Moreover, it was not until the beginning of the twentieth century aleksnadar it became the subject of comprehensive studies kadimevic regulatory plans. Help Center Find new research papers in: Rijeka Sava u povijesti zbornik radova. Architectural historian, Chief of Dept.

Back to the participants list. All insights will be very useful for my further aoeksandar, as well as the dialogues with local experts. Aleksanda hosts from Likhachev foundation supported all my interests and needs, and organized my cooperation kadjevic many prominent curators and historians. Skip to main content. Log In Sign Up. Vizuelnost i kreiranje gradskog identiteta —Beograd: Late imperial and Art Nouveau periods were in my main focus.


Namely, the general approach to thesection on both banks of the Sava River covering the area from apart of the highway passing through Belgrade to the confluence of the Sava and the Danubein the north offered the possibility for the capital to compensate for chances missed throughout the history for consolidation of fragmented parts in this area. Although such analogy is civilizationallyun- founded due to the proportions of the area occupied by that district, it can be found in apolo- getic announcements of pragmatic daily politics.

A large number of buildings shown on the model have a multy-storey construction of unclear purposeat this moment, from which only parts of the building volume go upward. Representative buildings constructed on the right bank of the river, covering more or less the area of the Amphitheater, have become key factors of cultural identity in the demograph- ically enlarged capital of the state.

In the second half the s, preparations for a major public competition under the auspices of the International Union of Architects UIA historically went wrong because the government authorities of the Republic of Serbia were on the downward path at that time.

In later modifications not supported by valid explanations to Belgrade profes- sional community and institutions the tower height was increased to meters and its shape changed to a tabular tower with two rotated segments Fig. The image shows an obvious disparateness compared to the rest of the city in the scene, primarily because of a false logic of putting the highest buildings on the slope at the lowest vertical alignment.

Aleksandar Kadijevic

Only a few institutions provided a principled resistance to the abusive alterations of visual identity of Belgrade, and these are: It suffered from frequent floodings and war activities, which delayed the making of strategic decisions about its regulation.

The project was not made public, although it contained some innovative and technically applicable solutions for the area along the right bank of the Sava River. Remember me on this computer. Due to the leveling of the land and partial recovery of wetlands in the waterfront area, a modest port zone Liman developed, which in the following decades expanded and adapted for the purposes of defense, water management, transportation, industry, trade and customs.

Hence the assent given by those in charge ofthe protection of cultural monuments to the implementation of the project can be considered unexpected. In the first place, on the basis of the model and elements of the presented blueprint, 5 It was reported on 26 April, that, according to the contract signed with the investor from the Middle East, half of the specified facilities should be build in the next twenty years, and the rest later.


Click here to sign up. Michael the Archangelconveying a strong political message Fig. However, the urban- istic and architectural activities on the waterfront were not all techni- cally balanced. It is very likely that, over the course of time, the problematic nature of the plan of regulation will lead to the producton of an incoherent urban structure in the most elite location. The quest for the desired city image. Daily newspaper Politika in its Sunday issue of March 22,on page 13, presented publicly for the first time a computer-generated image of the new city district as seen from the opposite, right bank of the Sava River Fig.

Mainly initiated without public competitions, these voluntaristic undertakings are usu- ally justified by the support obtained in the elections. With a help of curators and experts from St Alekssndar, I succeeded to visit a lot of famous buildings and archive funds which have materials about long urban history of the city. Imposing dull simplified geometric structures and urbanistic concepts appropriate to the climate and social needs of the main investor from the Sleksandar East, the project radically changes visual identity of the Serbian capital profiled over the last two centuries of independent architectural development.

Aleksandar Kadijević

Kako se ne gradi grad? It can not be neglected, but in Serbia kadijevjc emphasized, that the central zone of New Belgrade, for ideological reasons, was directed predominantly north-south, marching thus toward the historical city on the right bank.

It was commissioned by the newspaper and was not a part of the marketing campaign of the investors.

In the beginning, there were not any public reactions or doubts raised regarding the project, and even today its author is unknown.

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