Find album reviews, stream songs, credits and award information for Gently Disturbed – Avishai Cohen Trio, Avishai Cohen on AllMusic – – Avishai Cohen. Avishai Cohen – ‘Chutzpan’ – performed by Elin Sandberg Trio. 9, views. Avishai Cohen Trio – Chutzpan (cover). 2, views. Top Songs By Avishai Cohen. Watch the video for Chutzpan from Avishai Cohen’s Gently Disturbed for free, and see the artwork, lyrics and similar artists.
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Chutzpan – Avishai Cohen Trio | Shazam
Introspection Late Night Partying. Lo Baiom Velo Balyla Traditional.
Of course, Cohen makes sure to step into the spotlight often enough to reassure that he is in fact the leader here, and on tracks such as Cohen ‘s own neo-classical “Variations fohen G Minor” and the traditional Israeli song “Lo Baiom Velo Balyla,” Cohen ‘s intricate maneuvering reveals once again the ceaseless creativity of his musicianship.
Variations in G Minor Avishai Cohen. Streams Videos All Posts.
Cohen ‘s bass work throughout is consistently inventive; he thoroughly enjoys toying with dense, interlocking rhythmic surprises, but he never showboats.
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Avishai Cohen has chuutzpan himself over the past decade as one of the more versatile and curious bassists around. As early as track two, the driving “Chutzpan,” any notion that this might be a more traditional piano trio recording is quickly dismissed as each of the three musicians engages in virtuosic soloing and lockstep harmonics that find them playing tricks with time and space in a wholly intuitive manner.
Drinking Hanging Out In Love.
Gently Disturbed – Avishai Cohen Trio, Avishai Cohen | Songs, Reviews, Credits | AllMusic
Lo Baiom Velo Balyla. For Gently Disturbed he hooks up with the young pianist Shai Maestro, a fellow Israeli, and drummer Mark Guilianaon a set that is never less than exciting, always seductive, and often quite challenging. Jazz Latin New Age. Variations in G Minor.
In fact, he’s a rather generous leader, and had this band been called the Shai Maestro Trio instead, no one would be the wiser because Cohen fhutzpan his pianist wide berth to create the directions in which the music flows. Much of the first half of “The Ever Evolving Etude” is taken up with Maestro’s unaccompanied solo, and on songs such as the traditional “Puncha Puncha” and the evocative title track, Cohen and Guiliana step back just far enough to allow Maestro to dictate the main melody.