Six Metamorphoses after Ovid, op. 49, by Benjamin Britten, Britten composed this work for solo oboe for the oboist Joy Boughton who premiered the piece. Benjamin Britten. Metamorphoses (6) after Ovid, for oboe solo, Op. Composition Information ↓; Description ↓; Parts/Movements ↓; Appears On ↓. A gap of fifteen years separates the somewhat experimental exuberance of Temporal Variations from the assured mastery of the Six Metamorphoses after Ovid.

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The four-part fourth metamorphosis reflects the atmosphere of a drunken feast or festival. Six Metamorphoses after Ovid.

These six pieces, written in Britten’s later style, demonstrate the musical metamorphoses which always fascinated Britten. Sexy Trippy All Moods. When Wind Comes to Sparse Bamboo.

From Wikipedia, the free encyclopedia. The piece was inspired by Ovid’s Metamorphoses.

Metamorphoses after Britten

Retrieved 2 August This page was last edited on 26 Septemberat By virtue of the music being written for a solo instrument, Britten allows the performer licence to be highly expressive. Oboe – Solo and Accompanied. AllMusic Featured Composition Noteworthy. The next real concert piece after the Metamorphoses would metamorphodes the Sonata for cello and piano of Genre Chamber Music Classical. Drinking Hanging Out In Love.

Six Metamorphoses after Ovid, op. 49, by Benjamin Britten, | The Core Curriculum

Mdtamorphoses Read Edit View history. Britten turned for inspiration to Ovid, the exiled Roman poet who died in 17 A. The characteristics of each God can therefore be fully represented through the performance.


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Yet, upon further acquaintance with the music, it becomes clear that it is these very restrictions that attracted Britten to the instrument and which allow his melodic and harmonic metamorphoses to take center stage, unfolding with great clarity.

Benjamin Britten Six Metamorphoses after Ovid Benjamin Britten was an enthusiastic composer of music for his close friends and colleagues, including solo works for cello, harp, and oboe. Don’t show me this message again.

This contrasts with the second metamorphosis, a quick and rhythmic representation of the chariot ride of Phaeton, marked vivace ritmico. Britten has titled his Six Metamorphoses After Ovid using names of the some of the legendary figures who appear in the great Roman poet’s work. Abstract, non-linear use of pseudo-traditional harmonies such as triads, dominant seventh chords with irregular resolutions, etc.

Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

Streams Videos All Posts. AllMusic relies heavily on JavaScript. After a musical portrayal brittem Bacchus, Britten moves on to the appropriately reflective tale of Narcissus and finally to the waterlogged cellular variations of Ovid’s Arethusa.


Obviously, the many fermatas and rests that pop up throughout metamorphosee and the other five movements are not only for the purposes of isolating different mrtamorphoses fragments, but also designed to keep the performer from passing out.

The music of the first metamorphosis echoes the “free-spirited” character of its titular figure: By using this site, you agree to the Terms of Use and Privacy Policy. Interlude in A Minor Op.

Night Mail The Prince of the Pagodas Juni in Thorpeness gespielt wurden. Music By Benjamin Britten. Pan, for instance, is written without a time signature.

Six Metamorphoses after Ovid, op. 49, by Benjamin Britten, 1951.

British Music for Solo Oboe. InBritten was primarily concerned with writing his opera Billy Budd. NIOBE who, lamenting the death of her fourteen children, was turned metamophoses stone. Complete Works with Oboe. Related Links Britten Page. List of compositions by Benjamin Britten Category: Retrieved from ” https: However rich in tone, it is basically without extensive change in color throughout its two-and-a-half octave range and is generally monophonic.

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