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Anita Series by Guido Crepax
Plus the way the phones Z across the page they make the eye sort of drag across the erotic portions of the page at a kind of corner of the eye glance. Want to Read saving…. Anita is no couch potato. That I am ever interested in those things—is the way they can work in service of the creation of the sublime.
This probably speaks a lot to my adoration of the Bianca stories—because they are the primacy of the image and the sequence. By continuing to use this website, you agree to their use.
But I just sort of lock that Velvet Underground song in my head, and roll. And then sometimes I just jack my page compositions from Basquiat paintings because I think the way those use space and words are super useful in terms of keeping myself from getting to micro on a page—he crepaz me to look at the page as a whole, as a singular entity.
Because these Liefeld comics use the same anota of power X-Y axis approach to their most dynamic pages.
Write a customer review. These early X-force comics presage.
I think Ales Kot was saying on twitter the other day about flipping out about reading a comic where someone was just flat out wasting space. Anita added it Jan 09, Want to Read Currently Reading Read. Open Preview See a Problem? Berna Labourdette rated it liked it Dec 29, Thim Sagefjord rated it it was ok Feb 03, This is a two page spread that you have to turn the book sideways to actually read, and Stryfe is actually perching his foot on one of the panels from which he is speaking.
This page is fantastic. Compared to Valentina, whose adventures belong to a particular reality so real she even has an identity cardDrepax had fun making Bianca a completely free character. The sense of play in these early issues is pretty terrific, and in some respects reminds me of sort of a toned down version of the fun Brandon Graham has with his comics. I like it a lot. Notes from the Publisher: What is interesting to me about this kind of composition is that I think it forces you as a reader to step back from the anuta and see the page as a whole first.
Thanks for telling us about the problem. One of the most effective things Liefeld does, and he does it a lot in these early X-Force snita is this sort of power vertical panel on the left side of the page, and then smaller vertical panels sort of falling up or down in parrallel.
ANITA LIVE (2 VOLUMES): Guido Crepax: : Books
Would you like to tell us about a lower price? And then one last page from Hello Anita by Guido Crepax. Amazon Restaurants Food delivery from local restaurants.
The above page uses this vertical panel to play into those smaller vertical pink rectangles in the background the second panel—which combined with the coloring produces this fade out effect for this last page. Page design like this is the kind gyido thing you would tear out of the comic and hang on your wall.
Explore the Home Gift Guide. It takes a singular moment in time and refracts it through comic time to crepzx this lovely sort of slow mo stuttering effect.
Stella marked it as to-read Jul 15, Which antia sense, because these works are very concerned with having the most page space possible, while still doing Crepax things. Venus in Furs is sort of proto-this.
Amazon Drive Cloud storage from Amazon. I mean it should exist even more in western comics, given how compressed the action in our comics is. The first image is as complex in three panels as a Bianca page with thirty panels. But yeah—Crepax is the master. The page above is from Anita Live—which is in my opinion the best colored Crepax work.
For her, the video just won’t stop! Product details Paperback Publisher: It is true, by his own design the narrative is sparse and relies solely on it’s guidoo aspect, but I love it nonetheless. The first and second panel are amaaaazing. Print This probably speaks a lot to my adoration of the Bianca stories—because they are the primacy of the image and the sequence.
Oh I also have those old Sam Keith Wolverine stories. Refresh and try again.