Counterpoint has 5 ratings and 0 reviews: Published June 1st by Schirmer Books, Hardcover. Heinrich Schenker. Counterpoint. Translated by John. Rothgeb and Jiirgen Thym . Edited by John Rothgeb. 2 vols. New York: Schirmer Books, Reviewed. COUNTERPOINT. A Translation of Kontrapuikr by. Heinrich Schenker. THANALAIDEHITY. JOIN ROTTICI. AND TOEGUN THYM. Schenker. TOLEDOJ HY JOHN.
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From Counterpoinf, the free encyclopedia. Diary entry by Schenker for 7 March Aaron marked it as to-read Jul 25, For Schenker, the study of counterpoint is the study of voice leading ; in particular, contrapuntal theory is separate from and independent of harmonic theory, which is concerned with scale-steps see Harmony.
Preview — Counterpoint by Heinrich Schenker. John Rothgeb and Jurgen Thym, tr. Dahms thanks Schenker for his advice on the next stage of instruction. Open Preview See a Problem? Great Pretender Daria marked it as to-read Apr 15, First exploring common ground between him and Grunsky, he then offers “technical reasons” why he regards Bruckner as “possessing minimal powers of invention,” therefore cannot call him a “master.
It is of interest to note that, although many of Schenker’s ideas have had a widespread influence on present-day music theoristshis views on pedagogy and the nature of contrapuntal studes have not prevailed: CA 89 Handwritten letter from Schenker to Cotta, dated October 17, Schenker confirms the terms of the Harmonielehre contract as applying to Kontrapunkt.
The German original is available through https: Want to Read Currently Reading Read. He sends little Karl a picture of himself, and leaves space for Violin’s sister Fanny to add a short greeting.
Views Read Edit View history. Diary entry by Schenker for 3 December Cotta has sent a copy of Harmonielehre to the Gesellschaft der Musikfreunde, and thinks that pre-publication excerpting of Kontrapunkt would be advantageous. Diary entry by Schenker for 4 February When Schenker submitted the remaining material, and when proofing took place, are unclear.
Counterpoint (Schenker) – Wikipedia
Arnost Stedry rated it liked it Feb 03, Diary entry by Schenker for 30 October Diary entry by Schenker for 1 November Diary entry by Schenker for 5 September Schenker recounts Joseph Marx’s requirements for adapting his Harmonielehre for teaching purposes, and the involvement of Alfred Kalmus at UE. Addresses a reservation on Halm’s part—speaking to him as “leader to leader”—and confirms his concept of the Volk.
Diary entry by Schenker for 29 August This is Schenker’s initial approach to Cotta: Diary entry by Schenker for 20 March Heinrih to Read saving…. Diary entry by Schenker for 25 February Diary entry by Schenker for 6 November CA 68 Handwritten letter from Schenker to Cotta, dated September 13, Schenker expects the press to be enthusiastic about Harmonielehre.
Diary entry by Schenker for 6 March Throughout CounterpointSchenker cites examples from the musical literature to demonstrate the highly varied ways in which the principles of strict counterpoint can be applied in free composition. Profiles Work by Schenker Kontrapunkt.
Diary entry by Schenker for 7 November Grunsky thanks Schenker for revealing his identity as author of Harmonielehre. After the negotiations with Universal Edition over Kontrapunkt 2 see belowa print-run of copies of Kontrapunkt 1 was produced for UE on February 21, UE Diary entry by Schenker for 21 June In the missing portion of the letter, which is summarized in Schenker’s diary, he asks his teacher’s help in finding another publisher, perhaps with Wilhelm Altmann’s intervention.
Hienrich expects the press to be enthusiastic about Harmonielehre. He also expresses uncertainty about whether to accept an honor from the Academy of Arts and Science in Vienna.
Diary entry by Schenker for 25 August Diary entry by Schenker for 17 February Schenker explains the necessity for some late interpolations into Kontrapunkt I. Diary entry by Schenker for 3 May Diary entry by Schenker for 30 August