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Category:Kapsperger, Giovanni Girolamo
He cultivated connections with various powerful individuals and organizations; and himself organized “academies” in his house, which were counted among the “wonders of Rome”. Giovanni Girolamo Kapsperger also: Kapsberger is best remembered as a composer for lute and theorbo.
Libro Quarto d’Intavolatura di Chitarone”, His father Colonel Wilhelm Guglielmo von Kapsperger was a military official of the Imperial House of Austria, and may have settled in Venicethe city which may have been Kapsberger’s birthplace. From Wikipedia, the free encyclopedia. Kapsberger worked in Francesco’s household until Preface to Johann Hieronymus Kapsberger: Views Read Edit View history.
Ciaccona (Kapsberger) – from CDA – Hyperion Records – MP3 and Lossless downloads
Wikimedia Commons has media related to Johannes Hieronymus Kapsberger. Libro primo de balli, gagliarde et correnti, a quattro voci Rome, and Libro primo di sinfonie a quattro Rome,p. In other projects Wikimedia Commons.
Kapsberger’s writing is characterized, especially in toccatasby spontaneous changes, sharp contrasts, unusual rhythmic groupings and, sometimes, passages that do not conform to the rules of counterpoint that were in use at the time. Retrieved from ” https: Also, a compositional treatise by Kapsberger, Il Kapsperger della ciaccoawas announced in in the preface to Libro quarto d’intavolatura di chitarronebut is now lost.
Duke University Press, He died in Around Kapsberger married Gerolima di Rossi, with whom he had at least three children. Nothing is known about Kapsberger’s date and place of birth. At least six collections were published during his lifetime, two of which are currently lost. This page was last edited on 24 Novemberat Among them was Athanasius Kircherwho described Kapsberger as a “superb genius” and attested that he has “successfully penetrated cciaccona secrets of music.
Chaconne, for chitarrone
New York and London: After Kapsberger moved to Romewhere he quickly attained a reputation as a brilliant virtuoso. Some contemporaries, such as Stefano Landimentioned that Kapsberger was not as meticulous a composer as he was as a performer.
These included the celebrated Libro I d’intavolatura di lautoKapsberger’s only surviving collection of music for lute. This list only includes works published during the composer’s lifetime; the few pieces that survive in manuscripts, as well as pieces of questionable attribution, are not included.
Prominent among these critics is lutenist Rolf Lislevand: He started publishing his music at around the same time, with more than a dozen collections of music appearing during the next ten years. Kapsberger also wrote stage music, almost all currently lost. Kapsberger’s other music includes two collections of instrumental ensemble dances, rare for the period, and a wealth of vocal music, which was widely performed during his lifetime, but which is now critically less acclaimed. Regardless of how one regards his compositional prowess, Kapsberger was one of the principal composers of lute and theorbo music during the early Baroque era together with Alessandro Piccinini and greatly contributed towards advancing European plucked string instruments of the time.