Como Escuchar La Musica by Aaron Copland, , available at Book Depository with free delivery worldwide. Este libro es unico en su genero. Aaron Copland es el primer gran compositor que se ocupa de dar a conocer a los lectores legos la tecnica de la composicion . Cómo Escuchar La Música by Aaron Copland. You Searched For: Seller: Alcaná Libros. (Madrid, Spain) COMO ESCUCHAR MUSICA: AARON COPLAND.
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Although this is not quite the emotional trip as “Joy of Music” by Bernstein, it is the affections of a master laid in front of those of us who are interested. He felt this made his music more meaningful to the large music-loving audience being created by radio and lihro movies. Everything else in here you can find on Wikipedia. After this, he concludes with brief surveys of opera, film music, and azron was then contemporary serious music.
What to Listen for in Music by Aaron Copland
Everything is educational from a technical standpoint, and it was interesting to read a composition giant’s musings, however opinionated and dated can’t say I agree with Copland that the double bass isn’t used as a solo instrument!
A Portrait of Johann Sebastian Bach – I fall into the camp of loving it.
I highly recommend this book to better learn about appreciating music from the humble words of a great composer who is caring enough to make his reading enjoyable. Throughout his discussion, he libor to present many useful tips that help the reader to better concentrate on what is important on any piece. Return to Book Page.
His style is also a bit stuffy. Whether you listen to Mozart or Duke Ellington, Aaron Copland’s provocative suggestions for listening to music from his point of view will bring you a deeper appreciation of the most rewarding of all art forms. Copland learned to play piano from an older sister.
A tight overview of the most significant things to look out for when listening to classical music. In an introductory section, Copland defends the “expressiveness” of music against the proponents of “pure” music.
And he argues that a person should train themselves to listen for all three to better appreciate the music that they hear.
According to Copland listening to classical music should not be a casual affair; one needs some knowledge of form certainly, but what is most important is that the listening should be an active Todos los derechos reservados. Oct 05, Jee Koh rated it really liked it. All liibro modern browsers have cookies enabled by default, so if you’ve been directed to this page it probably means you’re uisng a weird and wonderful browser of your own choosing, or have disabled cookies yourself.
Breviarios: Cómo Escuchar la Música by Aaron Copland (1999, Paperback)
He also includes brief sections of the musical notes for those who have the ability to read music. This book was a great introduction. Copland provides explanations of and thoughts on all the main elements of and aspects of music: Though that “something” is necessarily general, like an emotion, it matters as what the composer wishes to communicate to his listeners. The book’s advanced age has remarkably little impact on its usefulness, except for the fact that the “listening lists” refer to old recordings.
Jan 14, Joshua rated it really liked it.
Como Escuchar La Musica : Aaron Copland :
It has also reinforced my interest in the period 1 I enjoyed reading it. Perhaps some of the discussion on harmony might be a little confusing, but if one takes it slowly, it is not difficult. Productos Reacondicionados Precios bajos en productos revisados por Amazon. Copland does this, by taking the reader through aaron building blocks of music.
What to Listen for in Music
How xaron Listen to Great Music: Gana dinero con nosotros. A chapter on film music, a genre Copland himself wrote, focuses on the process of composition and collaboration. I doubt that the book would be nearly so useful to people who already know a lot about how music works, but for the groundlings, Copland’s book is masterful.
This book will make a music lover out of you, or will give you a far greater appreciation for what they are hearing. I haven’t read it in a few years, but I started it again today and it’s just as I remembered it: Based lkbro a series of lectures and first published inWhat to Listen for in Music remains in print.
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